Craig Kridel "One of the conditions of happiness is the opportunity of a calling, |
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Education: Biographical Blurb Craig Kridel is the E. S. Gambrell Distinguished Professor Emeritus of Educational Studies and Curator Emeritus of the Museum of Education, University of South Carolina. His research interests include the history of African American education, progressive education of the 1930-1950s, documentary editing, and educational biography. Recent publications include Harold Taylor and Sarah Lawrence College: A Life of Social and Educational Activism (2022), Becoming an African American Progressive Educator: Narratives from 1940s Black Progressive High Schools (2018), Progressive Education in Black High Schools of the 1940s (2015), the SAGE Encyclopedia of Curriculum Studies (2010), McGraw Hill’s Classic Edition Sources: Education (2009), and, with R. V. Bullough, Jr., Stories of the Eight Year Study: Rethinking Schooling in America (2007). Kridel was a founding editor of Teaching Education and served as a columnist for A.S.C.D.'s Educational Leaderhip. Craig Kridel was graduated from Ohio State University in 1980. Prior to arriving at University of South Carolina in 1984, he was founder and Director of the Institute for the Advancement of the Arts in Education at Ohio State University and served as the Midwest Coordinator of the Society for Educational Reconstructionism.
Music: Biographical Blurb Craig Kridel is coordinator of Berlioz Historical Brass [www.berliozhistoricalbrass.org], administrator for Harmoniemusik North America [www.harmoniemusik.org], and a columnist for the International Tuba Euphonium Association Journal. He coordinated the 1983 International Glass Music Festival, the 1986 Amherst Early Music Festival serpent workshop, and the 1989 International Serpent Festival (commissioning the Proctor Concerto for serpent) and has appeared on BBC, NPR, and ABC radio to discuss the revival of interest in historical brass. Kridel has performed on serpent with the London Serpent Trio, the British West Gallery Mellstock Band, and with Peter Schickele-P.D.Q. Bach, and has presented at the International Tuba and Euphonium Conference, College Band Directors National Association’s Conference, Historic Brass Society Conference, and the International Double Reed Society Conference. He has served as the Weinstock Artist-in-Residence at Lehigh University and currently serves as serpentist-bass hornist for a Moravian early music chamber orchestra, the Lititz (PA) Collegium. He appears as serpentist on Douglas Yeo’s “Le Monde du Serpent” CD and performed the encore for the 2005 40th Anniversary P.D.Q. Bach Retrogressive concerts and the solo “call to service” for Pope John Paul II’s American 1987 Ecumenical Service. He received the International Tuba Euphonium Association’s Clifford Bevan Award for Meritorious Work in Low Brass Scholarship, has published various essays throughout the past 30 years in the International Tuba Euphonium Association Journal’s Historical Instrument column, and prepared the "bass horn" entry for the New Grove Dictionary of Musical Instruments. His assortment of early 19th century serpents and bass horns is housed at the Yale University Collection of Musical Instruments.
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“When will our consciences grow so tender that we will act to prevent human misery rather than avenge it?” The views expressed are strictly those of the author. |